I feel the need to punch

I feel the need to feel

I feel the need to care more

I feel the need to stop worrying

I feel the need to stop over exerting myself in relationships

I feel the need to know my self worth again

I feel the need to not let an ascribed identity become part of my avowed identity

I feel the need to scream

I feel the need to cry

I feel the need to hug someone

I feel the need to know it will all be all right

I feel the need to “man up” and keep this to myself

I feel the need to not give two shits 

I just feel the need to be

thehereticpharaoh:

Aaliyah as the fictional Queen Akasha of Kemet in the 2002 film Queen of the Damned.

thehereticpharaoh:

Aaliyah as the fictional Queen Akasha of Kemet in the 2002 film Queen of the Damned.

(via thetwerkingdutchman)

thefrogman:

thefrogman:

image

(Source: imanasoh, via thefiveandten)

gayseawitch:

vinebox:

White people in scary movies be like…

Wheres her oscar

(Source: vinebox, via thefiveandten)

HAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHA OH IRONY YOU FICKLE BEAST

seaaholic:

cj-sewers:

fuckyeahblasphemy:

suckmylorddisick:


I’d like to correct this:
“God, send us someone to cure AIDS, cancer, etc., etc.”
“I did, but you gave them a substandard education because they lived in an area with poor funding due to low property taxes.  
I did, but you let them die because they couldn’t afford healthcare.  
I did, but due to racism you stomped out their potential and didn’t give them the same opportunities.  
I did, but you make a college education too unaffordable while giving the big bankers passes.
I did, but you saw a homeless youth before you saw a kid with potential.  
I did, but you kicked the downtrodden while they were already shoulder deep in sinking sand.”

reblogging for the comment

I did, but you forced her to carry an unwanted pregnancy to term, forcing her to become a single mother with limited income, having to sacrifice her college dreams in order to provide for her unwanted child.

fucking BOOM ^

bless the god damn comments on this post.

seaaholic:

cj-sewers:

fuckyeahblasphemy:

suckmylorddisick:

I’d like to correct this:

“God, send us someone to cure AIDS, cancer, etc., etc.”

“I did, but you gave them a substandard education because they lived in an area with poor funding due to low property taxes.  

I did, but you let them die because they couldn’t afford healthcare.  

I did, but due to racism you stomped out their potential and didn’t give them the same opportunities.  

I did, but you make a college education too unaffordable while giving the big bankers passes.

I did, but you saw a homeless youth before you saw a kid with potential.  

I did, but you kicked the downtrodden while they were already shoulder deep in sinking sand.”

reblogging for the comment

I did, but you forced her to carry an unwanted pregnancy to term, forcing her to become a single mother with limited income, having to sacrifice her college dreams in order to provide for her unwanted child.

fucking BOOM ^

bless the god damn comments on this post.

(Source: godlessmen, via uncu1turedswine)

(Source: asepsy, via uersace)

Damon Albarn – Lonely Press Play (6,743 plays)

When you’re lonely press play
‘Cause you’re not resolved in your heart
You’re waiting for me
To improve

(Source: akissabout, via calcifer)

(Source: domsebastian, via extrapstar)

buzzfeed:

Ohmygod Beyoncé and Tina Belcher are actually the same person.

chameleonfire:

getting called cute by someone cuter than you

image

(Source: brimstonechild, via fydollaho)

cross-connect:

reblog via littlelimpstiff14u2:

Artist Henrique Oliveira Constructs a Cavernous Network of Repurposed Wood Tunnels at MAC USP

Brazilian artist Henrique Oliveira (previously) recently completed work on his largest installation to date titled Transarquitetônica at Museu de Arte Contemporânea da Universidade in São Paulo. As with much of his earlier sculptural and installation work the enormous piece is built from tapumes, a kind of temporary siding made from inexpensive wood that is commonly used to obscure construction sites. Oliveira uses the repurposed wood pieces as a skin nailed to an organic framework that looks intentionally like a large root system. Because the space provided by the museum was so immense, the artist expanded the installation into a fully immersive environment where viewers are welcome to enter the artwork and explore the cavernous interior. Transarquitetônica will be on view through the end of November this year, and you can watch the video above by Crane TV to hear Oliveira discuss its creation.

Via Colossal

(via crossconnectmag)

nokiabae:

Yayoi Kusama (1970’s) [x]

(via jason-seven)

(Source: outofcontextarthur, via wearealladultshere)

I like the fact that you’re still in my tumblr icon